My Minotaur and Horsechild
Amy and I collect contemporary art. If you’ve been in my office, or my house, or many of the companies in Boulder we’ve invested in, you’ve probably seen some of it. We ran out of wall space long ago and now have a bunch of it in storage. So we started collecting sculpture a few years ago.
Sculpture is a lot harder for us – we know what we love when we see 2d art so it’s a quick decision. But we have different tastes in sculpture and struggle with “do we like it” or “do we love it.” We subscribe to the “buy it if you love it and want to live with it” approach and don’t really care what the future value potential is. Some of our art has gone up a lot in value, so I suppose we are probably considered good value collectors, especially since we often buy early in an artist’s career and then keep buying deep when we find artists we love. But that’s not why we do it.
One of our favorite places to hang around in New York is the Chelsea gallery district. Many of the galleries are priced out of our zone, but we’ve made friends at a few like Danese and have bought regularly from them. Others, like Bertrand Delacroix, are regular stops for us when we are into.
Yesterday we wandered into Bertrand Delacroix. I immediately fell in love with two pieces by Beth Carter – the red Horsechild above and the Minotaur below. We now own both of them – the Horsechild will keep me company in my office and the Minotaur will guard my office door.